Rzoska: Artist Statement
strive to represent the spirit of the landscape in my artwork. I’m representing
my own relationship and communication with the landscape intertwined in a
personal mythology. I attempt not to reproduce what I see through my eyes but
create a visual representation of what I experience. The artwork visually
displays my personal sense of spiritual connection and an invisible and
educated as a fine artist in traditional media for painting and drawing –later
when working as a graphic designer and illustrator I became involved with
digital media. The majority of my current work is created with both traditional
and digital media. I label these pieces as “mixed media” and list the media in
the order of its use in the creation of the artwork. Most often traditional
media is used in 90 percent to 95 percent of the artwork’s creation.
|Linda Rzoska at an exhibit of her work
A tree climber who branched out as
artist and gallery owner
published in Southwest Michigan's Second Wave Media)
by Zinta Aistars
[ZOO-ska] lived on a dead end street in the small town of Bangor, Michigan,
with a ravine on the other side of a fence where the street came to a stop. On
the other side was another world, and it was filled with trees. She hugged
them, she sat with her back leaning against their trunks, she climbed into
their canopies and let her feet dangle below her, one with the craggy branches.
of my time in that ravine to get away from my little brother,” Rzoska laughs. “He
kept punching me. My sisters called me Nature Girl.”
girl back then stood by the fence at the edge of the ravine, fingers curled
through the wire, and gazed at the great old trees. “I could hear them whisper,
‘Come on, Linda, come closer …’” Rzoska shrugs and smiles. “I’ve been following
that voice ever since.”
that grew from that girl is today an accomplished artist and the owner of Ninth Wave Studio, an art
gallery in the historic Mary Louise Haynes House at 213 West Walnut Street, built
in 1895, on the south edge of downtown Kalamazoo. Her specialty, her most
frequent subject matter in her art, no matter the medium: trees.
Studio also showcases many of greater Kalamazoo’s artists. During a recent Art Hop, fifteen local artists
were showcased: Mary
Hatch, Michael Dunn, Francis Granzotto, David Jay Spyker, Felicia Bojkewich, Angela
Olson, Beth Purdy, Alexa Karabin, Merry Petroski, Lorrie Abdo, Melody Allen.
participate in four to six Art Hops per year,” Rzoska says. “We will probably
be doing more. Otherwise, people need to make an appointment to visit the gallery,
and I’ll be delighted to show you around.”
|Linda in olive grove
among the artwork of other artists are Rzoska’s own paintings, etchings, graphite drawings. One floor above the gallery,
which is on the second floor of the Haynes House, is Rzoska’s attic studio. Sketches and etchings and paintings in all
stages of process line the walls and are scattered over all the surfaces, even on the floors. Magnifying glasses and lights
loom over the details. Brushes, pencils, pastels, whole and broken, line shelves. And more: pine cones, chunks of broken bark,
birds’ nests, shells, feathers and stones. Work goes on here, and not a little magic.
Rzoska sips tea from a ceramic mug and ponders. “I wouldn’t be here if it wasn’t for my 7th grade art teacher. She was the first art teacher the Bangor schools hired. She was
just out of college and so enthusiastic. I took every art class I could with her.”
|"Congregation" by Linda Rzoska
a college art student at Western Michigan University, Rzoska told her art professor: “I want to paint trees.”
She was fascinated by nature, folklore, mythology and comparative religion. In later years, Rzoska continued her graduate
studies in art management and began her own home-based business, Design and Illustration Associates.
“I did that until my husband wanted our house to be a home only,” Rzoska smiles. The Rzoskas purchased
the Haynes House on West Walnut Street in 1989, but began converting it to a place of business in 2009. Linda Rzoska, also
on the faculty of Kalamazoo Valley Community College since 2000 as a founding member of their Center for New Media, where
she teaches design and illustration, was on sabbatical in 2009.
in the Netherlands visiting an art gallery owned by a woman who had her art studio in the attic,” she recalls. And the
rest is history. The house was converted, the lower floor rented out, the second floor filled with art, and the attic became
Rzoska’s home away from home, high up, as if in a tree top.
owners today need a second income to survive,” Rzoska says. “Rental income, teaching income, that makes this possible.”
In a leaner economy, Rzoska sighs, art buyers go lean, too. She recalls something Winston Churchill had said during a wartime
lean economy when there was talk of cutting arts programs in schools. “Then what are we fighting for, Churchill asked!”
|"A Shy Presence" by Linda Rzoska
of her interest in Celtic mythology, and after making many art-motivated trips to Ireland, Rzoska named her new gallery Ninth
Wave Studio. “In Celtic mythology, the ninth wave symbolizes going beyond the boundaries of the mortal world, being
open to new things.”
New things, yes, always, but the old trees still
root in Rzoska. She no longer climbs them, but her KVCC students do on their excursions overseas, when Rzoska takes them to
study abroad, usually to Ireland and to the Netherlands (Rzoska has been an artist-in-residence at the Burren College in Ireland,
and she has exhibited work in both countries). She teaches them to see nature, and trees, with new eyes.
“Trees witness so much; I draw them as silent witnesses,” the artist says.
Much of the artwork in the Ninth Wave Studio reflects eyes on nature, too. A walk around the gallery rooms shows
the fantastic gourds of Dale Menz, magical creatures that shimmer and seem to be born of dreams; the watercolors and acrylic
paintings of David Jay Spyker, bringing alive a piece of driftwood on beach sands or a sky heavy with clouds; a ceramic bowl
by Francis Granzotto with the colors of earth and clay and moss and sky; mixed media by Michael Dunn, in swirls of luminous
light and misted air tangled with mysterious shadows that hypnotize. And there’s more. Moving from room to room, more,
and Rzoska is happy to tell the stories of the artists or to leave the art lover to browse.
there’s anything I want people to understand about the art gallery, it is that you should come and look. Just come and
look,” Rzoska says. “I used to get intimidated by great art when I was young, thinking it was, you know, for those
other people, who understood more than I did about art. But art is for everyone. Come visit. It’s my joy to show off
these Kalamazoo artists.”
To make an appointment to visit
Ninth Wave Studio, call 269.271.3161 or email firstname.lastname@example.org.
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